Loris Z.com

This adventure is a one-way street



Category: Journalism


Cory Doctorow Interview

8 November, 2007 (02:37) | Art, Journalism, Research | By: Loris Z.

In which Mr. Doctorow talks about many interesting things. Excerpt:

There are three reasons why it makes sense to give away books online. The first is that publishing has always been in this kind of churn and flux—who gets published, how they get paid, what the economic structure is of the publishers, where the publishers are, all of that stuff has changed all of the time. And it’s just hubris that makes us think that this particular change—the computer change—is the one that’s going to destroy publishing and that it must be prevented at all costs. We’ll adapt. If we need to adapt, we’ll adapt. And today, the way that we adapt is by giving away e-books and selling p-books.

So that’s the economic reason. But then there is the artistic reason: we live in a century in which copying is only going to get easier. It’s the 21st century, there’s not going to be a year in which it’s harder to copy than this year; there’s not going to be a day in which it’s harder to copy than this day; from now on. Right? If copying gets harder, it’s because of a nuclear holocaust. There’s nothing else that’s going to make copying harder from now on. And so, if your business model and your aesthetic effect in your literature and your work is intended not to be copied, you’re fundamentally not making art for the 21st century. It might be quaint, it might be interesting, but it’s not particularly contemporary to produce art that demands these constraints from a bygone era. You might as well be writing 15-hour Ring Cycle knock-offs and hoping that they’ll be performed at the local opera. I mean, yes, there’s a tiny market for that, but it’s hardly what you’d call contemporary art.

So that’s the artistic reason. Finally, there’s the ethical reason. And the ethical reason is that the alternative is that we chide, criminalize, sue, damn our readers for doing what readers have always done, which is sharing books they love—only now they’re doing it electronically. You know, there’s no solution that arises from telling people to stop using computers in the way that computers were intended to be used. They’re copying machines. So telling the audience for art, telling 70 million American file-sharers that they’re all crooks, and none of them have the right to due process, none of them have the right to privacy, we need to wire-tap all of them, we need to shut down their network connections without notice in order to preserve the anti-copying business model: that’s a deeply unethical position. It puts us in a world in which we are criminalizing average people for participating in their culture.

I listen and learn.

These icons link to social bookmarking sites where readers can share and discover new web pages.
  • Digg
  • del.icio.us
  • StumbleUpon
  • Technorati

Harry Potter and the Missed Opportunities

8 August, 2007 (17:10) | Journalism | By: Loris Z.

It’s no big news when I say that I despise Harry Potter. There are many reasons for that, and one day I’ll probably write something about it. In the meantime, I leave you with this excellent article by Suzette Chan, over at Sequential tart. A little bit:

Harry’s acceptance of the invitation to Hogwarts is a no-brainer. His Muggle existence is so dreary, his relations so odious, that it’s no real choice whatsoever to enter into the world of magic. A dramatic opportunity for choice between the prosaic-but-secure and fantastic-yet-dangerous is lost

A thing that many people seem to agree with me once I explain it to them: The fact that the “normal” humans get called “muggle” says a great deal of the many reasons why I believe J.K. Rowling to be a dreadful, horrible human being.

Cheers, folks.

These icons link to social bookmarking sites where readers can share and discover new web pages.
  • Digg
  • del.icio.us
  • StumbleUpon
  • Technorati

Shaviro on Paprika

18 July, 2007 (02:22) | Journalism | By: Loris Z.

Professor Steven Shaviro writes about Satoshi Kon’s movie:

“…is the finest, most exhilarating animated feature film that I have seen in quite some time. Actually, “exhilarating” is a peculiar word to apply, but I can’t think of a better one. Paprika’s style is something that I am a total sucker for: it’s wildly, floridly psychedelic, but at the same time somehow harsh and astringent.”

These icons link to social bookmarking sites where readers can share and discover new web pages.
  • Digg
  • del.icio.us
  • StumbleUpon
  • Technorati

Journalism Is My Only Weapon

26 June, 2007 (02:31) | Journalism | By: Loris Z.

Since Russian reporter Yelena Tregubova published a book criticising Vladimir Putin’s regime, at least one attempt has been made on her life:

Since Russia enshrined freedom of speech as a constitutional right in 1993, a total of 152 journalists have been murdered there. A database set up this month by two media monitoring organisations, the Glasnost Defense Foundation and the Center for Journalism in Extreme Situations, sets out the details of each case. Yelena Tregubova is trying hard not to be the 153rd.
“I am not going to keep silent, because if I do, they will kill me silently,” Tregubova declares. “I am in a privileged position because I can speak freely. Many of the colleagues I left behind in Moscow think as I do about what is happening, but they can’t speak up. I don’t have nuclear weapons, I don’t have an organisation like the KGB behind me. Journalism is my only weapon.”

These icons link to social bookmarking sites where readers can share and discover new web pages.
  • Digg
  • del.icio.us
  • StumbleUpon
  • Technorati

Shhh. I’m reading.

21 June, 2007 (17:51) | Gaming, Journalism, Research | By: Loris Z.

I’ve been browsing Insert Credit since last night, reading a lot of things. That website is a wonder, I tell you. Two thing I want to keep at hand:

Tim Rogers review of Super Mario 3. And his review of Metal Gear Solid 2.

I was reading a feature last night, around 3 am, while drinking some coffee. I arrived at a page that almost made me choke with laughter.

Can’t find it now. I’ll see if I can post the link around.

These icons link to social bookmarking sites where readers can share and discover new web pages.
  • Digg
  • del.icio.us
  • StumbleUpon
  • Technorati

Simon Reynolds on Ballard

20 June, 2007 (17:22) | Journalism | By: Loris Z.

Over at Ballardian:

It seems more related to Burroughs and perhaps also to Ballard’s artistic debt to Surrealism, which I really appreciated a few years ago when I read him talk about it in that RE/Search collection of interviews. I liked the fact that J.G. would stick up for Dali and the rest. Surrealism and Dada is big teenage impact thing for a lot of us I think, until we learn to say ‘ooh Chagall, so much better than Dali.’

Eno’s generative music is much more cybernetics meets Zen, emptying out the authorial ego, setting up a process and then withdrawing. I don’t think with Ballard there’s that Eastern mystical aspect. With Ballard’s there’s always more of a violence bubbling up from below aspect, even though the writing is cold and controlled. Actually if Eno is a British Barthes, a languid sensualist, I’d say that Ballard is a British Bataille. I can also imagine Ballard enjoying Camille Paglia’s writing, which I can’t imagine Eno doing – it would be too passionate for him.

(Warren pointed)

These icons link to social bookmarking sites where readers can share and discover new web pages.
  • Digg
  • del.icio.us
  • StumbleUpon
  • Technorati

Von Allan’s APE Report

15 May, 2007 (12:26) | Comics, Journalism | By: Loris Z.

Part four of Von Allan’s APE report. Need the link at hand:

“Remember, too, that most new books by unknown creators fair poorly. It takes passionate fans and dedicated retailers to change this. It’s also critical to get “gate keepers” involved in the book as early as possible. Advance Reader Copies need to be in circulation and reviewers from Kirkus, Publishers Weekly and the like need to be onside. Even with that, though, it’s extremely difficult for a new book by an unknown author to create any impact sales-wise. Keep in mind here that I’m not talking about unbelievable sales. Just healthy ones. The Book Standard back in 2005 had a fascinating article by Kimberly Maul that described some of this data. The key bit was this, “93 percent of ISBNs sold fewer than 1,000 units in 2004, according to Nielsen BookScan.” This is for the entire 2004 book sales figures in the United States”

(Also: Part One/Two/Three)

These icons link to social bookmarking sites where readers can share and discover new web pages.
  • Digg
  • del.icio.us
  • StumbleUpon
  • Technorati

Ordinary break-in doubted in theft of sensitive files from magazine’s editor home

17 April, 2007 (23:01) | Journalism | By: Loris Z.

Oded Balilty

17 April, 2007 (14:58) | Journalism, Photos | By: Loris Z.

The Sacramento Bee

17 April, 2007 (14:57) | Journalism, Photos | By: Loris Z.

By Renée C. Byer, winner of the 2007 Pulitzer Prize in the Feature category.

These icons link to social bookmarking sites where readers can share and discover new web pages.
  • Digg
  • del.icio.us
  • StumbleUpon
  • Technorati